3/18/2023 0 Comments Tron legacy soundtrack flynn lives![]() ![]() And to do it in a reviving format feels all the more notable, highlighting the obscure revival of a once-dying format in a technological world. It solidifies not only the importance of the soundtrack within Daft Punk’s catalogue, but the importance of soundtracks as a whole. ![]() So, to see it honoured, re-pressed on vinyl, is a moment I can imagine many fans of the work did not expect – Clash included. In fact, the only bit that warrants a slight grimace comes from Michael Sheen’s Castor acknowledging them, where they would have otherwise simply blended into the background.īut blending in isn’t all it’s cracked up to be, as is so evident from the common dismissal of an album that deserves an applause. Because the duo fit perfectly into the grid. A slight nod to the camera, a break of the fourth wall as the star says, “yes, I’m here, how cool am I?” We’ve suffered Ed Sheeran in Yesterday, or worse, Ed Sheeran in Game of Thrones, but in rewatching TRON: Legacy, with the knowledge of what’s to come, you needn’t hold your breath. It's an impressive feat and a fine example of just how important music is within artforms and mediums.Įven in their cameo, they avoid the clichés that we’re so often forced to endure. Sitting at near an hour and a half, their music, spanning 31 tracks in total, accompanies Sam Flynn’s on three quarters of his journey. Layering film monologues with a distinct Daft Punk sound, they take you on a journey, be it when watching the film, or experiencing just the music. As shots bleed timelessly into one another, their music helps to weave together a narrative rather than taking a backseat and watching the world go by. And all music fans know the risk of second albums… try the risk of second films and come and talk to us.īut in actuality, the power their music has within the film is breath-taking. Not a progressive electronic expression of the famed French duo, but a soundtrack to a sequel. Even in saying the title, you’re admitting to liking a Disney soundtrack. Because the music itself is undeniably brilliant, but it’s in an unusual position, where it just doesn’t feel like an opus you can admit to liking. Perhaps that’s where Daft Punk’s solitary soundtrack fell short. In all honesty, Disney isn’t exactly synonymous with “cool” either. Releasing on Walt Disney Records typically means success in a young market I mean what five-year-old doesn’t know the words to Idina Menzel’s ‘Let it Go’? But Disney isn’t exactly synonymous with electronic synth tracks. They weren’t backed by what is most commonly seen as a children’s production company. Songs were highly anticipated, longed for and praised, with awards handed out on mass. The productions were cool and notable, with palpable excitement created by the media. The publicity around the soundtracks that tasted success is arguably one of the reasons for their success, almost irrespective of the talent such soundtracks demonstrate. But these are simply examples of a form of success and admiration that the TRON: Legacy soundtrack never quite reached. Further into the past, The Who’s Quadrophenia is a tale like no other, built around the preceding concept album. Baby Driver successfully utilised the playlist flaw to its advantage, acknowledging that these tracks were not its own. Listeners who prefer to dance to the music of Daft Punk should skip this CD.Franchises like James Bond have utilised the power of custom songs, of marrying music to film. Judging by the end result, it probably won't be long before Daft Punk can pack the bags to move to Hollywood. Daft Punk has succeeded in translating masterful moments of tension, threat, hope and victory in a musical way. The starting point was to mix classical orchestral themes with minimal electronic influences. With musical topics ranging from film composer Bernard Hermann to synthesizer (formerly Walter) they soon agreed that Daft Punk would be the ideal choice for composing the soundtrack for Tron: Legacy. During a good conversation, Kosinski was struck by their knowledge and love for film and in particular … for Tron. Joseph Kosinski, director of Tron: Legacy, turned out to be just as big a fan of the French dance producer duo Daft Punk, as she was of the original version of this movie in which a hacker is sucked into cyberspace to compete in a virtual arena in all kinds of gladiator competitions. ![]()
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